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AUDITIONS

 

Auditions for the 2010-11 season will take place Saturday, August 28 (9 am to 3 pm)

Mon - Thurs, August 30-31, September 1-2, beginning at 4 pm

Only violin auditions will be heard on August 28, although violin auditions
will be heard on other dates.

To register for an audition, click here

Audition appointment letters will be mailed toward the end of July.

Fillable audition form, click here.

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Students in grades 5-12 who play orchestral and band instruments are eligible to audition.

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Auditions are scheduled according to instrument.

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Every musician must audition each year.

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Members are selected and seated by ability rather than age or grade.

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The auditions are six to eight minutes long (twelve minutes for percussionists).

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Each student should prepare a piece that demonstrates his/her proficiency on the instrument. Percussionists should include snare, timpani, and mallet selections.

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Sight-reading and scales are also included in the audition.

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NEW!!!!! Audition dress code:  Business casual - no jeans, no shorts, no sneakers, no noisy flip-flops.  Dress for success!!!!

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Parents are not permitted in the audition area.  They should wait for their child(ren) in the warm-up area or other designated place.

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There is a nonrefundable $10 audition fee to secure an audition appointment.  

 
Some tips for a successful audition:

 

  1. Practice your scales.

    String players:  Entry level string players must be able to play one-octave scales in the keys of  C, G, D and F.   Two to three-octave major scales up to 4 sharps and 4 flats may be asked of all other string players.
     
    Woodwind and brass players:  Entry level players must be able to play one-octave scales in concert keys up to 4 sharps and 4 flats.  All other students may be asked to play two-octave scales in concert keys up to 4 sharps and 4 flats through their range.
     
  2. Choose a solo you can play well.  Have it well-prepared. The adjudicator is not interested in when you started learning the solo; s/he will judge you on how well you play it. Choose a solo that shows off your ability. It should not be too easy, but if it is beyond your ability, it will hurt your audition score.  Recognize that you will probably not perform your entire solo piece as audition time is limited.  If the adjudicator asks you to stop, it is because s/he has heard what is needed.
     

  3. Sight reading is a part of each audition.  Practice sight reading with your teacher at each lesson.
     

  4. Be early for your audition, so that you can complete any necessary paperwork, warm up and be ready to do your best. We recommend that you arrive at least 15 minutes before your scheduled audition time.

 

The GBYO bases placement on an objective scoring process that measures scales, intonation, tone quality, rhythm, articulation, dynamics, phrasing, expression and technique on the instrument.  The suggestions above serve only as guidelines. Eligibility for each orchestra/wind ensemble is ultimately determined by the student's over all ability level and the adjudicators' judgment as to where the student will have the best possible experience.

 

Below are the first of the consecutive segments of Mr. Hisey's audition seminar, presented on May 10, 2010.  Because YouTube has a 10-minute limit per video, the seminar must be viewed in multiple  sections.  As further sections are completed, they will be added.

 

#1 Who hears the auditions?

 

 

#2 First Impressions are KEY

 

 

#3 Ready to Audition - Scales

 

 

#4 Ready to Audition - Your Solo, Part I

 

 

Contact the GBYO